A Sicilian medieval luthier and medieval Muslim figural painting

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I love the Internet, in that it can bring to light information and bring similarly minded people together.

My early post on the music of Al Qantarah brought the attention of a musician, scholar, and luthier from Catania, Giuseppe Severini. Signore Severini made some interesting comments on the music of the Troparium, and I welcome them as part of a debate that I hope we’ll continue to have.

In looking at Signore Severini’s musical instruments site. I was quite excited to see that he has made a copy of one of the many Arabic stringed instruments seen in the painted ceiling beams of the Cathedral of Cefalu.

For more images from the ceiling beams, I recommend Mirjam Gelfer-Jorgensen’s “Medieval Islamic Symbolism and the Paintings of the Cefalu Cathedral.” Gelfer-Jorgensen’s book traces the connections between the imagery of pre-Islamic Persia and the ancient Middle East to the imagery of medieval Islam. The paintings at Cefalu and in the Cappella Palatina muqarnas are really the only existing figural images, as they would have been featured in architectural spaces,  from the early medieval Muslim Mediterranean. Similar paintings adorned the Fatimid palaces of Cairo, but all traces of them have been obliterated. However, lustreware plates of the Abbasid era give us another glimpse of this figural tradition in the Mediterranean.

Fatimid instrumentalist

Musician with rebab

Of course, what I REALLY want now for Christmas is that chitarrino/rebab. But I highly doubt I’d be able to afford Signore Severini’s workmanship. And I have about as much ability with woodworking tools as one of my cats.

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